Metamorphosis.

The exhibition is dedicated to processes and concepts of metamorphosis and invites the viewer to engage with the nature and aesthetics of change. On display are works by the artists Mirko Baselgia, Lea Grebe, KRJST Studio and Philipp Messner, who all confront with transformation processes through their individual artistic practice.

Metamorphosis can take place at the interface between science and art, as is the case with Lea Grebe and her bronze works. Over the years, the artist has established an archive of insects that were found dead. Cast in bronze, these creatures do not only develop their very own aesthetic, they seem to have undergone a final metamorphosis – an act of empathy, in order to recognise their individuality. Another series consists of bronze casts of different branches that show galls. These outgrowths are the result of changes in the structure of the branches caused by the interaction of parasitic organisms with the plants. In these two groups of works, the artist is interested in the anatomical structures of the individual creatures as well as their interactions with other organisms. In her swarm drawings, Lea Grebe explores on the other hand the movements and patterns of swarms.

In Mirko Baselgia’s work, the idea of transformation is reflected in his consistent use of local, natural and recycled materials, as well as his deep observation and interaction with the environment and the organisms around him. His works reflect his values and encourage us to think about our place in the world and our power to change the way we interact with it and restore a true connection with the natural world and all living beings.

The artistic practice of KRJST studio is also based on dialogues and experiences with nature, which the two artists transform into textile works through an elaborate process combining traditional manual techniques with innovative weaving technologies. Thereby becoming an artificially enhanced appearance. Experimentation with materials, techniques and forms and a creative process open to external influences and unexpected changes characterise the duo’s approach.

In Philipp Messner’s works, the idea of metamorphosis is reflected in a deliberate encounter between nature and artificiality. The artist works for example with industrial pigment inks that freely spread on the marble and penetrate the structure of the stone. As a result, the natural stone seems to fuse with the artificial colours. Dyeing stone has for him something both paradoxical and fascinating at the same time: marble is not worked three-dimensionally, but is intrinsically transformed through the liquid nature of ink and colour.

Text: Laura Giudici

Enter Art Fair Copenhagen

29 August – 1 September 2024

booth #63

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